So your prayer has already been answered. ..With the A6600 and 1655 i had to tune down sharpening in Raw PP because this zoom lens is tremendous. People will only be distracted by petty image quality issues if your images are boring to look at. Happy to be wrong! If you know the diagonal (tape measure) and focus distance, you can calculate the true focal length no matter what the focusing distance is. By way of comparison, it's similar in size to Fuji's XF 18-55mm F2.8-4 kit lens when that lens' zoom is retracted, and only weighs about 20% more. If I want to lug around large lenses I'll grab my D850 and all the Sigma art glass I've acquired. In non-linear mode you can instantly switch between making big or small focus jumps simply by turning the ring quickly or slowly, respectively. To all the people that don't understand equivalence: cxsparc is correct, total light gathering is proportional to equivalent aperture. I would like to see a comparison. Fuji Rumors prognoses unexpected 33/1.4 for 2021 release. Show us some samples please. But all of these are either a bit wider or offer greater telephoto reach than the XF 18mm F1.4, and don't therefore compete directly. The decision as to which lens people buy will probably come down to their preferences around which other lenses they are pairing it with in their kit (or for astro-photographers the coma issue in the 16/1,4). Fuji however still offers that retro tactile user interface and film simulation modes that many seem to cherish. 16mm f1.4 18mm f1.4 Normal and fast. But not the reverse. To my taste, I would prefer a "same" rsolution for better DR/Noise. Objectively, FF wins. 62mm filter threads are provided up front, and no in-lens stabilization is available. "focus breathing"). Yet a 300$ kit is in both APSC and FF hardly possible IMHO. Proper gear. Talk about delusion. Even being much bigger, I'm sure it doesn't make the horrible zoom noise during video like its predecessor! Given the pre-production status of our review samples, though, it's possible this won't be an issue for shipping versions. The only one i can find is the E mount one that looks like a house brick. 3 months ago Hi!! But things have changed a lot in the recent months and the lines between FF and APSC are getting blurried by the day. I might add that in my home country all high school students study at least differential equations, those taking the advance course also integral calculus. There is only one FACT here, this lens is an absolute winner, top of the class, one of the best, for any system. Sane people do not shoot at high ISO while expecting to get the highest quality results. "Therefore A Fuji using the 1655 f2.8 will deliver similar IQ as a FF with one of those popular 24105 f4 zooms". Overall build quality of the XF 18mm F1.4 R WR is excellent, as is the case with all of Fujifilm's weather-resistant XF lenses. The Fujifilm XF 18mm F1.4 R LM WR is a fast wide-angle prime lens for Fujifilm's X-series range of APS-C format mirrorless cameras. The $450 Canon EF 28F2.8 IS USM is like XF 18F1.8 OIS. Everything they said makes sense. I use APSC for posters up to 2x1.2 meters with excellent results. If there's one thing owning the majority of the fast Fuji X primes has taught me - is that they're all excellent performers. Thats why its cheap and small and light. Since I already have the 16mm, I'm not so sure I'll be picking up this 18mm. "not every FF camera has 50mp while you can get the same IQ with a $300 used camera in the Fuji world" - No. The majority of smartphone people don't carry a selfie stick, yet they still take selfies. However, FF equivalent optics can produce better pictures (than crop) for the same money. because FF provides an envelop of photographic capability which is 1 full stop larger than APS-C - ceteris paribus. @Rod McDYou can test this by taking a photo of the night sky, identify which stars appears in the extreme corners, and check the angle between them on a star map. X-T2, X-T3, X-T4. "higher quality and build than the Sony 28mm" - To the point that it's more than twice as expensive? "when I switched from A7 II to A7r II corners from a 16-35mm would be much softer viewed at 100%" - You are comparing them wrong. Same is with 23mm f2 which actually is around 21mm (32mm FF equivalent). It comes across as some strange obsession you have with numbers and this camera company whos products you dont even use. I've held back buying one because every other year fuji introduces a much better version. In fact all its telling me is you have wasted your money. But even my 6D DSLR with a 40F2.8 pancake is small enough for 'carry everywhere'. Stop it down to f/2.0 for the best results. If you look at the work of most great photographers everything in their shots is focus. We were shooting at ISO 250, wide open at 1.4 with an exposure time of 10 seconds. Unfortunately, there are too many "blind" people in photography to see that. There is no tradeoff between higher resolution sensor and lower noise. Nikon Z. Canon RF. the actual photographers are having a discussion here. On a 24-70mm lens you can have all focal length between 24 and 70mm, so 25mm, 30mm, 35mm, etc. Gift for Night-owl Designer See more. With such a smooth focus, this new lens can definitely handle shooting in the bright desert light. 10% market share. BEST SELLER. None of the others I've tried were good enough, even more recent lenses like the Nikon Z 24-70mm f4. . | Fujifilm X-T4, ISO 160 | 1/100 sec | F1.4 | 27mm equiv. I am waiting to see whether the belated opening of the Fuji lens mount to 3rd party suppliers will negatively impact their future. So it's disappointing if this lens does the same thing, several years later. You dodge the main question which is why should a Fuji user sell their gear because of equivalent lenses being cheaper? I think that the "value" bar is a bit too long here :). is that clear enough for you. Lateral chromatic aberration, which shows up as green and magenta fringes around high contrast edges at image peripheries, is optically well corrected for and any residual aberrations are nearly fully removed digitally in the JPEG or Raw conversion. Sony FE 24-105mm f/4 G OSS. Sony is a soft lens outside of the center. Sony A series require a substantial financial commitment especially their GM lenses. @Larkhon: I didn't introduce the FE28 into the discussion and I also agree that it is not of the best IQ. But really wanted an f/1.4 . Like it or not the 16/2.8 is the updated 18/f2. GF 80F1.7 is like FF 64F1.4. Let's try a reading comprehension test: I wrote "It will be the same in subject coverage, depth of field, motion freeze and noise.". It joins the slower XF 18mm F2 pancake lens in the range, which was first released back in 2012. The point is that even if I'd buy a $2000 FF camera, I could save money on cheaper FF optics, which would compensate for the camera body price difference. @Woz D Boss"I dont understand the point of even commenting on an article that has zero relevance to anything you are interested in"- The point is to expose and debunk BS. In lay speak, you can always replicate the APSC image with FF gear and of course get the same IQ (not better). Also don't understand your comment that customers in general would find no problem with the shot *pros post or deliver* Are you sure customers would be ok with that shot? For one I do believe, that Fuji lenses are outstanding in their quality (I love all of them, just the XC feel cheap, but their image quality is stille praised by many. I understand that the 12mm Rokinon lens is the best for astrophotography. X-H2 is rumoured to have 8k60, which I don't want. Some longitudinal chromatic aberration is present, resulting in slight magenta fringing in front of the plane of focus, along with green fringing behind it, but it's really well-controlled, only really visible wide open and generally shouldn't be an issue in real-world use. You can use lower ISO what is the best way to improve the picture quality. I wonder who the new lens will appeal to. Seth Miranda gets up close and wide open with Fujifilm's portable, and weather-resistant FUJINON XF18mmF1.4 R LM WR with lightning-fast autofocus and a wide . Also at this price I'd rather just go a bit harder and get the 50mm f1 or at the same price the 56mm f1.4.Sure not equivalent FOV, but those are both monster lenses which warrant the price and size. 14.16.18.23.27.35.50.56.60.80.90.mm.Why all these focal lengths. Get TTArtisan News. Hyperfocal means almost everything is out of focus. "I use APSC for posters up to 2x1.2 meters with excellent results it all depends on the lens you use" - It depends on your level of tolerance. Please keep your contributions constructive and civil. You need to downsample the A7RII image first to match the A7II resolution. Buy on Amazon.com From $999.00. ps: with todays phonecams/computational lmaging 1" cameras have no more reason to be and mFT only in (small) drones where size/weight is paramount or a fee other extreme niches. Don't know why people keep brining up these kind of silly comparisons though. Black&Silver. The lens reviews, don't give a comprehensive overview of the market, but of lenses that they deemed worth reviewing. All that extra glass translates to an increase in weight to 370g (0.8 lb) versus the F2's 116g (0.26 lb). NOT the F2.8 shot but the F1.4 one. I hope to get a camera like that before I get a mandatory vaccination and die. If someone's doing street and anguishing over precise focus, they probably should try another genre :). It is identical even in noise. It's understandable why it's this lens that Fuji released among fasts. It will be the same in subject coverage, depth of field, motion freeze and noise. The smaller pixels have more individual variance (noise), but they are also individually smaller in the image so the full image looks similarly 'noisy' when printed to the same size. The images that have been shared so far are absolutely stunning, on pretty much all the various media sites. Me thinks your intention is mainly to discredit Fuji crop without substantial arguments. @norjens Properly speaking I think 18/1.4 is a silent equivalent of 16/1.4 MK2 to not cannibalize the latter salesmeaning we won't see 16/1.4 MK2 any time soon. And I guess that is the deciding factor in the end: Personal preference. The latter was jumped upon when it was released by those doing astrophotography, but it turned out to possess significant coma in the corners when used wide open. Fujis newest cameras outperform many FF with their support of 4k60 video. If the 16/1.4 is closer to 16.5mm as you've calculated, the crop needed to obtain the 18mm FOV is a modest one. The original 6D is better.The X-T3 still sells for $1500. I think it is the wide-angle lens for video! I can say without arrogance that I've overgrown this notion and I'm not stuck on it like lots of you guys seem to be. You might not care, but why even bother with modern cameras if you limit yourself that way. Check out our sample gallery to judge image quality for yourself. Even Canon isnt giving their best IQ at the cheapest price. "Sony 28.2 is so light is because it is a simple design with less glass"- And it works fine when we put it on FF. The 5DsR is supposed to be "so much noisier" than Fuji at high ISOs, some say, but look what happens when we do it right.https://www.dpreview.com/galleries/3827214348/albums/don-t-be-a-fool. But when we put better optics on FF, crop has nothing to match it. actually it is the reverse. But be it as it may, I accept that for sentimental reasons sharpness is possibly not that important, but this wasn't a photo album shot, but a lens review. While this may be the case, the overall system cost of APSC camera and lens <=300 USD used to be equal to a FF system, hmmm. Many reviews praise the 16mm 1.4, but for astro they suggest to step it down to f2. Tell me, what shutter speed would that f2 lens be giving compared to the f1.4 lens? do you input the sensor size when taking a light reading of the scene to determine your exposure settings? I have this lens now for I week in testing and is even sharper than my XF 16/1.4 and 23/1.4 wide open.Quite an achievement I would say. This looks like a 16/1.4 twin in almost every respect. It will be coupled with the updated 27mm 2.8. The Fuji 18mm provides a focal length similar to that of a 27mm optic in a 35mm full-frame system, making it a . Fuji is really doing a nice job building a system and giving photographers options in lenses and bodies. The 32" desktop monitors are too small for UHD (4K/5K/6K/8K). This allows to keep shutter speed the same if one increases ISO also by one stop, resulting in same # photons recorded on FF and APSC = same noise. @ecka84:Looking at the world in black and white has always led to bad things in the world. It's pretty entertaining to hear what he thinks about all this anti-vaxx bulls**t. I'll give you one good guess as to why it is that we don't largely remember polio, or smallpox, or mumps, as a fact of daily life. I think we are living in an age where there is an abundance of really high quality camera equipment to choose from, and the scores reflect that. (While taking very good photos, regardless of the 'handicap'). As you say there are very few zoom lenses at that price point that equal the quality of it. "Already trying to change the subject? But really you shouldn't need articles to convince yourselves, do you for example really believe that a tiny pinhole f1.8 lens on a mobile phone captures the same amount of light in the same amount of time as a full frame f1.8 lens? Sharpening and noise reduction at ACR defaults. Or are you waiting for a new, more pancake-like update to the 18mm F2? I absolutely love shooting this fov. Landscape, street, architecture, environmental portrait and low light photographers looking for decent subject / background separation and top notch image quality. That's why all this "overkill gear" (for what they do with it) seems all the same to them crop, FF, phone, m4/3, no difference, because they are not actually looking at the full size pictures.
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